http://hdl.handle.net/10451/11 2013-05-24T14:38:33Z 2013-05-24T14:38:33Z Antunes, Sara Pereira, 1981- http://hdl.handle.net/10451/8500 2013-05-24T14:18:04Z 2013-01-01T00:00:00Z

Title: Pintura e metáfora Authors: Antunes, Sara Pereira, 1981- Abstract: This theoretic and Pratical dissertation goes in order to explore Painting as a subjetc of installation possibility from a specific place to a site-specific. Also related to the metaphoric dimension that contemporary art still wants nowadays to structure itself and materialize itself. The main intention is to achieve the origins and processes and to understand an analytical description as well, due to the proposal of painting as an installation generated of the theme metaphor through Painting, regarding contemplation as an intermediate thing. In short: the achievement of formal intermediate representation of a body/form, flexible and independent that referring to a place, finds its territory in another that precedes it. We can consider that the whole investigation goes around concepts of overlap and, what is understood as an essential meaning: see painting as pictoral form/body and the physical space that she can claim. For the present research are exposed multiple objects of inquiry that best exemplify and explain the genesis and motivations of this practical work, such as works from other periods (historical or artistic), authors, and critical / philosophical theories related to Painting, and exhibited characteristics similar to those themes, meaning of formal of what may be a "body pictorial" free of base support, or of it’s conceptual nature as regard of the generated contents for such investigation Description: Tese de mestrado, Pintura (Variante Teórico - prática, Universidade de Lisboa, Faculdade de Belas Artes, 2013

2013-01-01T00:00:00Z Olimpio, Ana Filipa Pereira Miguel, 1989- http://hdl.handle.net/10451/8499 2013-05-24T14:02:46Z 2013-01-01T00:00:00Z

Title: Uma caricatura de país Authors: Olimpio, Ana Filipa Pereira Miguel, 1989- Abstract: The dissertation made in the context of the Drawing Master Degree with the theme: Uma caricatura de país (Caricature of a country), wants to investigate the history of caricature and its protagonists in Portugal, to create a practical work about social and habits caricature and has the purpose to study caricature and humour as an artistic expression. The caricatures introduced in the personal project want to contribute to the portuguese social criticism, portraying the everyday of portuguese people, idealizing typical characters with humour like contemporary Zé Povinhos. With a basis in a bibliographic review and in the critical observation of the originals, we wanted to search informations about the history of caricature in Portugal since the 19th century until now, analyzing lives and works of the main Portuguese caricaturists. We also developed a study about the history and the various definitions of caricature, of phisiognomics and humour, with a basis in the theories of the most relevant authors from Aristoteles to Freud. In the drawing practice, has been used the Nicolaides method, The Natural Way to Draw, with the purpose of exploring new ways to represent caricated characters and situations, focusing this method in a personal graphic expression. During the study and the realization of the theoretical work, the conclusion was thatcaricature passed through various transformations in time, it evolved artistically, it started being spread not just through newspapers, it gained a new space in the artistic scenery, conquering values that were closer to the artistic status. A caricatura ou o desenho humorístico tem a importante tarefa de retratar e criticar os problemas de uma sociedade. A sociedade contemporânea necessita da caricatura, para se rir de si própria, justificando-se, assim, o projecto humorístico final. The caricature or the humorous drawing has the important objective of criticizing and talking about the problems of a society. The contemporary society needs caricature to laugh of itself, justifying the final humoristic project Description: Tese de mestrado, Desenho, Universidade de Lisboa, Faculdade de Belas Artes, 2013

2013-01-01T00:00:00Z Madeira, Anabela Maria Lopes, 1967- http://hdl.handle.net/10451/8488 2013-05-21T11:34:21Z 2013-01-01T00:00:00Z

Title: Demasiada luz fere Authors: Madeira, Anabela Maria Lopes, 1967- Abstract: What is painting? Based on evidence and perplexity that is presented to the painter, this research aims to reflect on the essence of Painting around the subject of Light and Shadow. In a game to see, to reveal and to hide or mask, Painting becomes the place of imperceptible and therein lies its power of fascination. We tried to reflect on what is the relation of this play - revelation and concealment - with the concept of the Sublime, which is not approached by an historical or historicist context, but as an intrinsic reality to the human condition and therefore the reality of the artist. The first part of the dissertation is based on the texts La Peinture, Masque et Miroir, La Montre e Le Lisible et le Visible1 by Jean-Marie Pontévia; the second part invokes Mark Rohtko’s work, studying the Color and the Light as an essential approach to the concept of Sublime. The theoretical research is accompanied by a series of twenty one paintings on paper entitled Entre o Sangue e o Fogo (Between Blood and Fire) Description: Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2013

2013-01-01T00:00:00Z Roque, Maria da Conceição Vieira http://hdl.handle.net/10451/8485 2013-05-20T17:01:22Z 2012-01-01T00:00:00Z

Title: A revisão da carta arqueológica do Alandroal Authors: Roque, Maria da Conceição Vieira Abstract: This work aims to contribute to the debate currently taking place in contemporary archeology, about the relationship between the discipline, its concrete practice and society, under the so-called Public Archaeology. Apart from the theoretical discussion, this work materialized in a practical experience, which linked the fieldwork (reviewing an Archaeological Map), the treatment of data and community participation, focused on Heritage Education, in a scale - the municipal territory-that promotes closeness and communication. Beyond the addition of new data, resulting in part of the archaeological work developed over the past decade in the context of Alqueva, and now expanded with new field work, some steps, albeit modest, have been advanced in the way archeology dialogues with society Description: Tese de mestrado, Património público, Arte e Museologia, Universidade de Lisboa, Faculdade de Belas Artes, 2013; O anexo 5 são cartas topográficas. Apenas poderá ser consultado na Biblioteca da FBAUL. Cota: CDA

2012-01-01T00:00:00Z