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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/10451/2308" />
  <subtitle />
  <id>http://hdl.handle.net/10451/2308</id>
  <updated>2013-06-18T06:18:51Z</updated>
  <dc:date>2013-06-18T06:18:51Z</dc:date>
  <entry>
    <title>A Prelude to Joyce’s Chamber Music</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/5598" />
    <author>
      <name>Flor, João Almeida, 1943-</name>
    </author>
    <id>http://hdl.handle.net/10451/5598</id>
    <updated>2012-03-14T16:40:46Z</updated>
    <published>2009-01-01T00:00:00Z</published>
    <summary type="text">Title: A Prelude to Joyce’s Chamber Music
Authors: Flor, João Almeida, 1943-
Abstract: It seems appropriate not to overlook the&#xD;
documentary value of Chamber Music in so far as it might be profitably approached as a kind of aesthetic laboratory where Joyce experimented with various styles, forms, and modes of expression. In particular, the book&#xD;
documents an early Joycean attempt to explore the interaction between sound and meaning, with a view to the ideal blending of two com plementary discourses, i.e. poetry and music. Such a revaluation would redress the balance in establishing the literary interest of Chamber Music, which might then emerge as a significant step both in the progress of Joyce’s art and in&#xD;
the development of the poetry and poetics of the pre-modernist generation.</summary>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Byron, Lamartine e Alcipe num soneto português (1844)</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/3557" />
    <author>
      <name>Flor, João Almeida, 1943</name>
    </author>
    <id>http://hdl.handle.net/10451/3557</id>
    <updated>2011-07-09T01:32:13Z</updated>
    <published>2009-01-01T00:00:00Z</published>
    <summary type="text">Title: Byron, Lamartine e Alcipe num soneto português (1844)
Authors: Flor, João Almeida, 1943
Abstract: Questões relativas a um soneto de interesse byroniano composto pela Marquesa de Alorna (1850-1939), entre os poetas conhecida por Alcipe.</summary>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"He said Ireland has more than one story": multiple belongings in perspective</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/3532" />
    <author>
      <name>Casal, Maria Teresa Correia,1964-</name>
    </author>
    <id>http://hdl.handle.net/10451/3532</id>
    <updated>2011-07-09T01:31:45Z</updated>
    <published>2009-01-01T00:00:00Z</published>
    <summary type="text">Title: "He said Ireland has more than one story": multiple belongings in perspective
Authors: Casal, Maria Teresa Correia,1964-
Abstract: Focusing on non-fictional and fictional memoirs, respectively Hugo Hamilton's The Speckled People (2003), and Jennifer Johnston's The Gingerbread Woman (2000), this paper addresses the experience of those who find themselves perceiving the world from outside the walls of the Palace of Sans Souci, and who has a result try to work out how their perception may both belong to, and change, the prevailing picture of the world they inhabit.</summary>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Jennifer Johnston's Monologues: introductory Note</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/3531" />
    <author>
      <name>Casal, Maria Teresa Correia,1964-</name>
    </author>
    <id>http://hdl.handle.net/10451/3531</id>
    <updated>2011-07-09T01:31:52Z</updated>
    <published>2009-01-01T00:00:00Z</published>
    <summary type="text">Title: Jennifer Johnston's Monologues: introductory Note
Authors: Casal, Maria Teresa Correia,1964-
Abstract: Introduction to the first publication, in the journal Anglo-Saxonica, of Jennifer Johnston's interior monologues Seventeen Trees, I Have Desired to Go, and Billy e Christine</summary>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
  </entry>
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