<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Community:</title>
  <link rel="alternate" href="http://hdl.handle.net/10451/8" />
  <subtitle />
  <id>http://hdl.handle.net/10451/8</id>
  <updated>2013-05-20T05:12:52Z</updated>
  <dc:date>2013-05-20T05:12:52Z</dc:date>
  <entry>
    <title>Centro das Artes - Casa das Mudas e Museu Henrique e Francisco Franco</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/8467" />
    <author>
      <name>Araújo, Maria Leonor Morgado Melville de</name>
    </author>
    <id>http://hdl.handle.net/10451/8467</id>
    <updated>2013-05-15T14:56:21Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Centro das Artes - Casa das Mudas e Museu Henrique e Francisco Franco
Authors: Araújo, Maria Leonor Morgado Melville de
Abstract: Museums are part of the community and have the duty to disclose their collections not only&#xD;
internationally but primarily and especially to the local community. Museology is constantly&#xD;
changing and must know how to captivate and seduce its audience in order to meet their&#xD;
expectations and interests. Then, the institution has the power to publicize their collection and&#xD;
their public services. But, how can we know what are the public needs? There will never be a case-study that includes all kind of people because all publics are different; they have different needs and interests. When we talk about regions, like the one analysed on this study (Região Autónoma da Madeira), we can understand that the relationship between museus and local residents can’t be compared to what happens in big cities. The first chapter in this report talks about the need of knowing Madeira museums audiences felt during two internships, one at Centro das Artes | Casa das Mudas and the other at Museu Henrique e Francisco Franco. The second chapter reveals an approach to Madeira museums and their reality, and an inquiry for the resident population. Finally, the last chapter presents some proposals for museums, based on the inquiry. With this report we hope to contribute to improve the museums capacity to attract regional public
Description: Tese de mestrado, Museologia e Museografia, Universidade de Lisboa, Faculdade de Belas Artes, 2013</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>O invisivel nas imagens fotográficas de Noé Sendas, como vemos o que não está lá</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/8464" />
    <author>
      <name>Marques, Tiago Neves</name>
    </author>
    <id>http://hdl.handle.net/10451/8464</id>
    <updated>2013-05-15T11:32:38Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: O invisivel nas imagens fotográficas de Noé Sendas, como vemos o que não está lá
Authors: Marques, Tiago Neves</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Video e teatro, a fusão de dispositivos na criação dos trabalhos da Inestética Companhia Teatral</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/8463" />
    <author>
      <name>Ferraz, Renata Christiane</name>
    </author>
    <id>http://hdl.handle.net/10451/8463</id>
    <updated>2013-05-15T11:25:52Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Video e teatro, a fusão de dispositivos na criação dos trabalhos da Inestética Companhia Teatral
Authors: Ferraz, Renata Christiane</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Long piece</title>
    <link rel="alternate" href="http://hdl.handle.net/10451/8459" />
    <author>
      <name>Baeta, Luisa 1972-</name>
    </author>
    <id>http://hdl.handle.net/10451/8459</id>
    <updated>2013-05-15T10:58:24Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Long piece
Authors: Baeta, Luisa 1972-
Abstract: LONG PIECE - the time of an image is a theoretical and pratical masters dissertation on Multimedia Art, that analyses what is long in the time of an image. It approaches the relations between the concepts of time and image, as elements, within the shot, the movement and the observation, in the context of photography, film and video Different meanings of time are enunciated, in order to allow a broad interpretation of this long time identified in the image: the exposure time, the structural time, the physical time, the real time, the represented time, the duration time, the cinematic time, the time-image, the contextual time and relational time. Pieces by artists such as Tacita Dean, Michael Snow, Hiroshi Sugimoto and Andrei Tarkovsky are brought into the analysis as different possible approaches on the use of the concept of time, within the media set as the context of this research. The concepts of return, suspension and restart, three figures of oblivion defined by Marc Augé, forms of expression of possible relationships between time and image, are also incorporated as the basis of the creation of Long Piece, the practical part of this dissertation, composed of a series of four videos that explore the long time of an image, different relationships between video and photography and between long time and memory: the return to a place, a landscape, the suspension of a long shot and the restart of a relation with this place and with the image itself
Description: Tese de mestrado, Arte Multimédia - Fotografia, Universidade de Lisboa, Faculdade de Belas Artes, 2013; Possui um DVD com anexos, apenas consultável na Biblioteca da FBAUL : cota, CDA 127</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
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