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    <dc:date>2013-05-24T19:11:15Z</dc:date>
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    <title>Merce Cunningham-The Other Way Around</title>
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    <description>Title: Merce Cunningham-The Other Way Around
Authors: Silva, Ana Luísa Valdeira da; Palmeirim, Madalena Manzoni
Abstract: Time killed Merce. Merce’s pace fitted time.&#xD;
Working with a stopwatch to control the duration of gestures and movements in space, Cunningham changed the traditional way of choreography. The negation of narrative, expressiveness, synchrony, single perspective, logic or unit was a defiance to all preceding concepts in dance. This was also a way of freeing dance from the restricted boundaries and limitations&#xD;
of movement in which dance had been involved.&#xD;
Breaking all the patterns of physical co-ordination, he arrived at an autonomous form that involved infinite variations of actions. Cunningham let gestures be themselves.</description>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
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    <title>O 2º Início</title>
    <link>http://hdl.handle.net/10451/7891</link>
    <description>Title: O 2º Início
Authors: Silva, Ana Luísa Valdeira da
Abstract: Editorial</description>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
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    <title>Fotografar na escrita o enigma do real</title>
    <link>http://hdl.handle.net/10451/3813</link>
    <description>Title: Fotografar na escrita o enigma do real
Authors: Almeida, Diana
Abstract: Assumindo a herança da estética modernista, Welty confere à visão fotográfica” capacidade revelatória, para além da superfície que o olhar desatento do quotidiano tende a banalizar e dotar de opacidade. O processo fotográfico surge explicitamente figurado na escrita de Welty, com especial relevo no ciclo de contos The Golden Apples (1949), onde a repetida descrição de “molduras” enquadrando o olhar das personagens adquire conotações autoreflexivas e evoca ainda o universo cinematográfico.</description>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
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