Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/11469
Título: Rui Chafes : a escultura como sopro
Autor: Lino, João, 1987
Orientador: Pereira, José Carlos, 1970-
Palavras-chave: Chafes, Rui, 1966-
Duchamp, Marcel, 1887-1968
Smith, David, 1906-1965
Serra, Richard, 1939-
Beuys, Joseph, 1921-1986
Giacometti, Alberto, 1901-1966
Escultura - Portugal - séc. 20-21
Data de Defesa: 2014
Resumo: The sculpture of Rui Chafes has the largest references in medieval art, german Romanticism, a subtle intersection of philosophical and literary references (Plato, Nietzsche, Rilke, among others), but also the post-minimal art. The sculptures of this artist, when is possible and sufficient the assumption of that status, are presented as discrete and subtle catalysts that recall a Beauty that is before and after us. Through iron, painted black, the artist seems to want to recover the primary function of art, exceeding the inherent aesthesic dimension of the piece of art or artistic object. By activating an emotional and ideal of spectator participation, this sculpture provides, or seeks to provide, his reconnection with a spiritual dimension that has characterized the relationship of humans with art, a relationship that the sculptor seems to recognize unequivocally in medieval and romantic art. Incidentally, it will be in this reconnection that is possible to find the Beauty that has always characterized the Art
Descrição: Tese de mestrado, Escultura Pública, Universidade de Lisboa, Faculdade de Belas Artes, 2014
Peer review: yes
URI: http://hdl.handle.net/10451/11469
Aparece nas colecções:FBA - Dissertações de Mestrado

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