Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/11835
Título: Redeeming the Old South in David O. Selznick’s Gone with the Wind
Autor: Silva, Edgardo Medeiros, 1961-
Palavras-chave: Carpetbaggers and Scalawags
Ku Klux Klan
Yankees and Anti-Yankeeism
Data: 2014
Editora: Centro de Estudos Anglísticos da Universidade de Lisboa
Citação: Revista Anglo Saxonica, Série III, Nº7. Lisboa: 2014. Pp. 133-153
Resumo: David O. Selznick’s filmic adaptation of Margaret Mitchell’s Gone with the Wind (1936) is informed by the same kind of Romantic nostalgia we find in the pages of this timeless award-winning novel, offering its viewers a conflicting vision over the nature and significance of the period of time which followed the end of the American Civil War. Northerners understood that period as one of “Reconstruction”, whereas Southerners envisaged it more as a time of “Restoration”. I wish to examine in this paper how producer David O. Selznick attempts to redeem the South in his filmic adaptation of this text, in line with the essential premise(s) of Mitchell’s novel, through his representation of a pre-Civil War idyllic, romanticized South, devoid of the pernicious effects of the “peculiar institution”, subjected in a first instance to the aggression of a great Northern invader and upon its defeat by a civilian army of Carpetbaggers.
Peer review: yes
URI: http://hdl.handle.net/10451/11835
ISSN: 0873-0628
Versão do Editor: http://www.ulices.org/anglo-saxonica/anglo-saxonica.html
Aparece nas colecções:CEAUL/ULICES - AS - Série III - nº 7

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