Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/11837
Título: Re-engendering “Cinderella” on Screen: Andy Tennant’s Ever After: A Cinderella Story
Autor: Cheira, Alexandra Isabel Bugio Bonito Batista
Palavras-chave: Cinderella
Madame d’Aulnoy
Brothers Grimm
Data: 2014
Editora: Centro de Estudos Anglísticos da Universidade de Lisboa
Citação: Revista Anglo Saxonica, Série III, Nº7. Lisboa: 2014. Pp. 203-215
Resumo: The enchanted realm of the wonder tale has been gazed upon quite often by novelists, short-story authors and even poets, who have imaginatively translated into their creations their own personal wanderings in wonderland. I will thus read four very different wonder tale versions of “Cinderella”, on a par with Andy Tennant’s Ever After: A Cinderella Story (1998). I will focus on the gendered differences between wonder tale versions and film, as well as on their distinctive narrative techniques. I argue that this feminist revision of “Cinderella” re-engenders identities by being closer to the only version written by a woman author, both in narrative style and in substance, than to any of the male versions — including the alleged Grimm tale it follows.
Peer review: yes
URI: http://hdl.handle.net/10451/11837
ISSN: 0873-0628
Versão do Editor: http://www.ulices.org/anglo-saxonica/anglo-saxonica.html
Aparece nas colecções:CEAUL/ULICES - AS - Série III - nº 7

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