Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/15287
Título: A ironia na escultura portuguesa do século XX
Autor: Gomes, José Luis Palhinha Simão, 1989-
Orientador: Teixeira, José, 1960-
Palavras-chave: Escultura - Portugal - séc.20
Paródia
Ironia
Sátira
Obscenidade
Erotismo
Escatologia - Na arte
Data de Defesa: 27-Jun-2014
Resumo: Irony functions primarily as a communication tool, used to criticize or question the status quo. The visual arts can be a form of communication and, as such , are likely to be built according to the rhetoric of irony. The relationship between art and the irony is uncommon until the late nineteenth century but in the early twentieth century with the artistic avant-gardes , the irony becomes a breeding ground for formal explorations in the field of art , including sculpture. This research aims to identify and understand some presence of irony in portuguese sculpture of the twentieth century. In this context we see that portuguese art was influenced by external artistic movements, but is also a result of all internal historical, political and social situation. Irony has taken different forms and functions over time but the attitude of irreverence regarding what was established, was extremely important in the transformation of art in the twentieth century
URI: http://hdl.handle.net/10451/15287
Designação: Tese de mestrado, Escultura, Universidade de Lisboa, Faculdade de Belas Artes, 2014
Aparece nas colecções:FBA - Dissertações de Mestrado

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