Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/18044
Título: A repetição como tempo e prática artística
Autor: Vieria, Ana Isabel Palhinha Geraldo Soares, 1987-
Orientador: Maia, Tomás, 1967-
Palavras-chave: Tarr, Béla, 1955-
Práticas artísticas
Data de Defesa: 6-Fev-2015
Resumo: In the first part, after the circumscription of the theme of time and the perspective from which it is understood in the western tradition, it is made an analysis of the works of Jacques Derrida's La différance and La voix et le phénomène. Various concepts are examined, including the différance, retention, protention, the trace, the other and archi-writing, tracing the particular view of this author which operates (in the theme of time) in the line of thought of Heidegger, Levinas and Husserl. Afterwards it is highlighted the importance of repetition in artistic creation, relating it to the routine and giving as an example the Béla Tarr´s film, The Turin Horse, which is analyzed. In the second part it is presented the practical work of painting that was developed in parallel with this assay
URI: http://hdl.handle.net/10451/18044
Designação: Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2015
Aparece nas colecções:FBA - Dissertações de Mestrado

Ficheiros deste registo:
Ficheiro Descrição TamanhoFormato 
ULFBA_TES 788.jpg123,47 kBJPEGThumbnail
ULFBA_TES 788.pdf940,6 kBAdobe PDFVer/Abrir

FacebookTwitterDeliciousLinkedInDiggGoogle BookmarksMySpace
Formato BibTex MendeleyEndnote 

Todos os registos no repositório estão protegidos por leis de copyright, com todos os direitos reservados.