Universidade de Lisboa Repositório da Universidade de Lisboa

Repositório da Universidade de Lisboa >
Faculdade de Belas Artes (FBA) >
FBA - Dissertações de Mestrado >

Please use this identifier to cite or link to this item: http://hdl.handle.net/10451/3355

Título: Escultura pública no Algarve : séculos XX e XXI : 1900-2009
Autor: Laranjo, Maria Isabel Serra Granado Cordeiro, 1960-
Orientador: Pereira, José Fernandes, 1953-
Palavras-chave: Xavier, Raúl, 1894-1964
Tegner, Rudolph
Santos, Francisco dos, 1878-1930
Mota, Costa, Tio, 1862-1930
Cutileiro, João, 1937-
Arte pública
Escultura
Estado Novo
Issue Date: 2010
Resumo: A research gathering the inventory of public sculptures found in the Algarve dating from the 20th and 21st centuries, up to the end of 2009. The concept of public sculpture is analysed through the changes the visual arts have undergone over time. In a generalized approach, it follows that philosophy and aesthetics, which were the foundations of the works prevailing throughout Europe as well as in the rest of the country, showed up late in the sculptures found in the Algarve. Some of the great Portuguese artists of the nineteenth century are represented by public sculptures from the beginning of the twentieth century. The public sculptures up to beginning of the seventies have the hallmark of the Estado Novo and falls under the aegis of the Política do Espírito. Still during this political period, one particular sculpture was erected which broke with the traditional form of public art. Following the political revolution on April 25, throughout the seventies and the eighties, the new political opening allowed the diversification on the themes addressed and the excessive triumphalism placed on monuments gave way to all sorts of topics affecting the daily lives of populations. During the nineties there was a burst as far as creativity is concerned and the region moves towards the production of a huge quantity of sculptures, initiating a period in which new materials and techniques were used to develop the ideas. The three-dimensional works hitherto exclusively produced by Portuguese artists has the contribution of foreign sculptors. In nine years of the 21st century alone, there was a far higher number of works erected in the Algarve than in the two previous centuries put together. Several symposia on sculpture took place promoting meetings gathering artists from around the world leading to the conception and production of works of art
Descrição: Tese de mestrado, Escultura Pública, Estudos de escultura pública, Universidade de Lisboa, Faculdade de Belas Artes, 2010
O 2º volume apenas será consultado em papel, no Arquivo da FBAUL
URI: http://hdl.handle.net/10451/3355
Appears in Collections:FBA - Dissertações de Mestrado

Files in This Item:

File Description SizeFormat
ULFBA_TES384_CAPA.jpg153,09 kBJPEGView/Open
ULFBA_TES384_VOL1.pdf1,23 MBAdobe PDFView/Open
Statistics
FacebookTwitterDeliciousLinkedInDiggGoogle BookmarksMySpaceOrkut
Formato BibTex mendeley Endnote Logotipo do DeGóis 

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

 

  © Universidade de Lisboa / SIBUL
Alameda da Universidade | Cidade Universitária | 1649-004 Lisboa | Portugal
Tel. +351 217967624 | Fax +351 217933624 | repositorio@reitoria.ul.pt - Feedback - Statistics
DeGóis
Promotores do RCAAP   Financiadores do RCAAP

Fundação para a Ciência e a Tecnologia Universidade do Minho   Governo Português Ministério da Educação e Ciência PO Sociedade do Conhecimento (POSC) Portal oficial da União Europeia