Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/33717
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Campo DCValorIdioma
dc.contributor.advisorGonçalves, Sofia, 1977--
dc.contributor.authorSuárez Trabanco, Alvaro, 1991--
dc.date.accessioned2018-06-01T17:37:07Z-
dc.date.available2018-06-01T17:37:07Z-
dc.date.issued2018-03-07-
dc.date.submitted2018-06-01-
dc.identifier.urihttp://hdl.handle.net/10451/33717-
dc.description.abstractThis research aims to recognize the contemporary context of digital storytelling, through an exploratory practice in communication design. In a constantly updated territory, we tried to stabilize the terminology through its historical contextualization and the recognition of current practices in the digital environment, often rooted in journalistic practices. We analyze its main actors, the economic conditions in which they operate, and the future directions of the sector, in a context marked by the economic crisis, but also by a constant reformulation of their models of action and representation. The practice of photojournalism is also addressed as a precursor to a practice of visual journalism from which the examples of digital storytelling emerge. To define the role of the communication designer in the creation of digital storytelling artifacts, we start from the premise of Jan van Toorn: the designer as a visual journalist. The practical component of the dissertation – the project Tras los pasos – aims to recognize the current condition of digital storytelling, to explore its limits and potentialities in the web environment, as well as to identify the role of the communication designer in the elaboration of multimedia narratives. Tras los pasos presents a story of migration of three generations within the same family. From this practical exploration and thanks to the available digital means (both at the level of the design, as well as the circulation and reception of the object), it is concluded that complex, engaging and immersive audiovisual stories, can be developed by authors with very diverse formation and independently of the journalistic industry. Throughout the research, which was marked by a close relationship between theory and practice, we have found a field that slowly attempts to free itself from the language and processes of the printed world, and to redefine itself in the digital environment, revealing a disruptive, ever-changing contextpt_PT
dc.language.isoporpt_PT
dc.rightsopenAccesspt_PT
dc.subjectBerger, John, 1926-2017pt_PT
dc.subjectPellegrin, Paolopt_PT
dc.subjectAnderson, Scottpt_PT
dc.subjectGranados, Samuelpt_PT
dc.subjectMurphy, Zoeannpt_PT
dc.subjectSchaul, Kevinpt_PT
dc.subjectFaiola, Antonipt_PT
dc.subjectDesign de comunicaçãopt_PT
dc.subjectNarração de contospt_PT
dc.subjectMedia sociaispt_PT
dc.subjectFotojornalismopt_PT
dc.subjectFotografiapt_PT
dc.subjectMigraçõespt_PT
dc.subjectProjeto Tras los Pasospt_PT
dc.subjectEstudos de casopt_PT
dc.subjectNew York Timespt_PT
dc.subjectNew Age Wallspt_PT
dc.titleDigital storytelling, uma exploração prática : seguindo os passos de três gerações de migrantespt_PT
dc.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Design de Comunicação e Novos Média, Universidade de Lisboa, Faculdade de Belas Artes, 2018pt_PT
dc.identifier.tid201876388pt_PT
dc.subject.fosDesign de Comunicação e Novos Médiapt_PT
Aparece nas colecções:FBA - Dissertações de Mestrado

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ULFBA_TES1122_Tesis-AlvaroTrabanco_8374_PT_Dez2017.pdfTese12,34 MBAdobe PDFVer/Abrir
ULFBA_TES1122_Tesis-AlvaroTrabanco_8374_PT_Dez2017_Anexos.pdfAnexos20,33 kBAdobe PDFVer/Abrir


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