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http://hdl.handle.net/10451/36989| Title: | Bill Viola : o tempo em suspensão |
| Other Titles: | Bill Viola = the suspension time |
| Author: | Grando, Angela |
| Keywords: | Viola, Bill, 1951- Warburg, Aby, 1866-1929 Arte vídeo Memória cultural Teoria da arte Criticismo |
| Issue Date: | Jan-2015 |
| Publisher: | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
| Citation: | IN: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 174-182 |
| Abstract: | Within the general field of video artist Bill Viola’s work, we propose an approach to the relationship between a visible energy in his videographic image, invested with some kind of “fragment of an existential memory”, and the mnemonic image of Aby Warburg, invested with a complex temporality and extended from his reference of the past and his symptomatic future, perpetuated in one cultural memory |
| Peer review: | yes |
| URI: | http://hdl.handle.net/10451/36989 |
| Appears in Collections: | FBA-CIEBA - Revista Croma |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| ULFBA_CROMA5_CAPA.jpg | Capa da Revista | 2,61 MB | JPEG | View/Open |
| ULFBA_CROMA5_p174-182.pdf | 1,23 MB | Adobe PDF | View/Open |
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