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Please use this identifier to cite or link to this item: http://hdl.handle.net/10451/6871

Título: Nadir Afonso e o abstraccionismo geométrico
Outros títulos: a intenção entre a práctica artística e a formulação teórica
Autor: Gomes, Carlos Alberto Eirão
Orientador: Tavares, Cristina Azevedo, 1956-
Palavras-chave: Afonso, Nadir, 1920-
Teoria da arte
Pintura
Abstracção geométrica
Portugal
Issue Date: 2004
Resumo: Abstract expressionism/art is not a consequence of a casual act, it is rather the result of a new way of thinking and representing the real world. As far as the Portuguese case is concerned, Nadir Afonso is one of the first authors to do it in a conscious mould, first through his technical contribute then with his theoretical reflections on the aesthetic experience. Being an enthusiastic critic who criticizes even himself, his paintings developed from the geometric rigour which architecture has imposed on him; his work is free of superfluous elements, as it may be confirmed by the different phases his paintings run through, what led him to the consolidation of a personal theory about art; this theory is based on the mechanisms of artistic creation as well as on some attributes of people's aesthetic emotions, such as evocation, perfection, originality and harmony
Descrição: Tese de mestrado em Teorias da Arte apresentada à Universidade de Lisboa, através da Faculdade de Belas Artes, 2004
Arbitragem científica: yes
URI: http://hdl.handle.net/10451/6871
Appears in Collections:FBA - Dissertações de Mestrado

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