Utilize este identificador para referenciar este registo: http://hdl.handle.net/10451/7252
Título: A cólera na arte
Autor: Ferreira, Vânia Clemente, 1985-
Orientador: Ritto, Isabel Maria Dinis Correia, 1954-
Coelho, Paulo Valejo, 1961-
Palavras-chave: Cólera
Fisiognomia
História da arte
Data de Defesa: 2012
Resumo: The main objective of this work is primarily to study the work of the individual artists that are released there is a greater spread of cholera in the emotion of art, with support from a study of existing muscles in anger, and all its emotional component, for easier In the same classification. Greater evidence of records of facial expression of anger, especially in war paint. Where the emotional expression of anger, one of the primary expressions, manifested most often where there was an inhibition of the same, because their status was a significant pure. As the main objective of the analysis is the reflection of the artists and pointing at certain periods of art history in the West, and its principal authors of their importance for the understanding of its performance, its historical importance and emotional as the search criteria, in selection of works, artists, and definition of cholera in the painting that was changing depending on the changing art. However, it is important to analyze the emotional, physical and anatomical one of the most basic facial expressions. The change of the face during the demonstration of the same, the vehicle will be necessary for the characterization of the moments of expression thereof. From a structural standpoint, this study can be divided into two parts, one part will be mainly in the part of the anatomical expression as well as the classification and function of facial muscles that cause this expression will also be treated the psychological and social factors and their components. In the second part of the thesis will be primarily on the basic considerations of Western European art as well as the notes of the main phases of painting and the classification of the artists who designed it, all its social component, season and time of appointment of facial expression in his works and the perception and its characteristics change depending on the structure economic, social and artistic thereof. In our study will be made then a summary of the expression of the most important chapters of the art, associating, facial expression, emotional component and artistic context to classify the different emotional states
Descrição: Tese de mestrado, Anatomia artística, Universidade de Lisboa, Faculdade de Belas Artes, 2012
Peer review: yes
URI: http://hdl.handle.net/10451/7252
Aparece nas colecções:FBA - Dissertações de Mestrado

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