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Publicação
«Não sei se canto se rezo»: ambivalências culturais e religiosas do fado (1926-1945)
| Nome: | Descrição: | Tamanho: | Formato: | |
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| Vol. I | 5.58 MB | Adobe PDF | ||
| Vol. II | 6.78 MB | Adobe PDF |
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Resumo(s)
O período entre 1926 e 1945 foi marcado pelo processo de profissionalização do fado e pela introdução de uma lógica comercial, o que foi acompanhado pela busca de uma afirmação sociocultural e do seu reconhecimento como canção nacional. O meio fadista era então atravessado por dinâmicas conflituais, por lideranças marcadas por um radicalismo político e pelo fortalecimento progressivo do jornalismo. Nesta conjuntura, intensificou-se um processo de metamorfose latente que marca o fado. Este trabalho pretende analisar os elementos religiosos que são reconhecíveis nessa mutação, nos discursos em que o fado se diz a si próprio, considerando-se oração e religião, e nas divergentes representações e opiniões que dele circulavam no espaço público. As dinâmicas de religiosidade e de espiritualidade também subsistem nas suas mitologias, nos espaços e nas sociabilidades que concitou, nos matizes deterministas que transportou ou na densidade existencial que construiu. Na poética popular, concretamente na abordagem vivencial em que se cantam os contrastes sociais ou os vínculos afetivos, bem assim na gestualidade em que o fado se exprimiu, o religioso participa na produção de sentimentos, de imagéticas e de normatividades.
In the period between 1926 and 1945 fado was marked by a process of professionalization and by the introduction of a commercial logic, which was accompanied by the search of a sociocultural affirmation and by its recognition as a national song. The circle of fado was then traversed by contentious dynamics, by leaderships tainted with a political radicalism and by the progressive strengthening of journalism. In this juncture, fado went through a process of latent metamorphosis. This work aims to analyse the religious elements which were recognizable within this mutation, in the discourses where fado speaks about itself as a prayer and a religion and in the different representations and opinions which circulated about it in the public sphere. The spiritual and religious dynamics also subsist in the mythology of fado and in the spaces and sociabilities which it promoted, in the deterministic nuances it transported and in the existential density it built. In the popular poetics, namely in the experiential approach where the social contrasts and emotional bonds are sang, as in the gestures through which fado expressed itself, the religious participated in the production of feelings, images and norms.
In the period between 1926 and 1945 fado was marked by a process of professionalization and by the introduction of a commercial logic, which was accompanied by the search of a sociocultural affirmation and by its recognition as a national song. The circle of fado was then traversed by contentious dynamics, by leaderships tainted with a political radicalism and by the progressive strengthening of journalism. In this juncture, fado went through a process of latent metamorphosis. This work aims to analyse the religious elements which were recognizable within this mutation, in the discourses where fado speaks about itself as a prayer and a religion and in the different representations and opinions which circulated about it in the public sphere. The spiritual and religious dynamics also subsist in the mythology of fado and in the spaces and sociabilities which it promoted, in the deterministic nuances it transported and in the existential density it built. In the popular poetics, namely in the experiential approach where the social contrasts and emotional bonds are sang, as in the gestures through which fado expressed itself, the religious participated in the production of feelings, images and norms.
Descrição
Palavras-chave
Fado - Portugal - séc.20 - História e crítica Fado - Aspectos religiosos Destino e fatalismo Arte da performance Poesia popular Religiosidade Teses de doutoramento - 2020