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A lucidez do poema. A meditação metapoética como caminho filosófico e sapiencial em António Ramos Rosa
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Authors
Abstract(s)
Protagonista de uma obsessiva interrogação da palavra e do poema, por via
de um trânsito contínuo entre escrita poética e reflexão crítica sobre o fenómeno
poético, António Ramos Rosa (1924-2013) emerge como um autor singular no
quadro da poesia portuguesa da segunda metade do século XX. Estando a
leitura/recepção da obra poética rosiana ainda marcada pela associação da sua
forte dimensão metapoética à ideia de uma certa circularidade monotemática e
estéril, ou de uma poesia “racional”, importa-nos iluminar o alcance sensorial e
ontológico, cósmico e mesmo sapiencial que a poesia rosiana lograria.
Nesse sentido, este trabalho procurará mostrar que a meditação metapoética
desenvolvida por Ramos Rosa ao longo da sua extensíssima obra não só não
condenou a sua poesia a uma fria clausura no plano textual, como contribuiu
decisivamente para a abertura ao real, para o efeito de evidência e o sentido de
comunhão que se tornariam cada vez mais sensíveis na sua escrita. Para tal,
propomo-nos aclarar o fio que, sob a égide da lucidez poética consagrada pelo autor,
nos conduz da sua meditação metapoética a uma meditação poética de cariz
ontofenomenológico e sapiencial, ou seja, da sua metapoesia a uma poesia cuja sageza
propicia um conjunto de intuições de acento filosófico-sapiencial. É nosso intento
contribuir, desta forma, para a compreensão da exigência e do alcance (cognitivo e
ontológico) do percurso poético de Ramos Rosa, bem como, colateralmente, para o
debate em torno de tópicos como a (auto-)referência poética, o estatuto ontológico
do texto poético ou a relação filosofia-literatura.
Protagonist of an obsessive interrogation of the word and the poem, through a continuous transit between poetic writing and critical reflection on the poetic phenomenon, António Ramos Rosa (1924-2013) emerges as a singular author in the context of Portuguese poetry in the second half of the 20th century. As the reading/reception of Rosa’s poetic work is still marked by the association of its strong metapoetic dimension to the idea of a certain monothematic and sterile circularity, or of a “rational” poetry, it is important for us to illuminate the sensorial and ontological, cosmic and even sapiential reach that Rosa’s poetry would achieve. In this sense, this work tries to show that the metapoetic meditation developed by Ramos Rosa throughout his very extensive work not only did not condemn his poetry to a cold cloister in the textual plane, but also contributed decisively to the opening to the real, to the effect of evidence and to the sense of communion that would become increasingly sensitive in his writing. To this end, we propose to clarify the thread that, under the aegis of the poetic lucidity consecrated by the author, leads us from his metapoetic meditation to a poetic meditation of an ontophenomenological and sapiential nature, that is, from his metapoetry to a poetry whose wisdom provides a set of intuitions with a sapiential and philosophical accent. It is our intention to contribute, in this way, to the understanding of the (cognitive and ontological) demand and scope of Rosa’s poetic path, as well as, collaterally, to the debate around topics such as poetic (self-)reference, the ontological status of the poetic text or the philosophy-literature relationship.
Protagonist of an obsessive interrogation of the word and the poem, through a continuous transit between poetic writing and critical reflection on the poetic phenomenon, António Ramos Rosa (1924-2013) emerges as a singular author in the context of Portuguese poetry in the second half of the 20th century. As the reading/reception of Rosa’s poetic work is still marked by the association of its strong metapoetic dimension to the idea of a certain monothematic and sterile circularity, or of a “rational” poetry, it is important for us to illuminate the sensorial and ontological, cosmic and even sapiential reach that Rosa’s poetry would achieve. In this sense, this work tries to show that the metapoetic meditation developed by Ramos Rosa throughout his very extensive work not only did not condemn his poetry to a cold cloister in the textual plane, but also contributed decisively to the opening to the real, to the effect of evidence and to the sense of communion that would become increasingly sensitive in his writing. To this end, we propose to clarify the thread that, under the aegis of the poetic lucidity consecrated by the author, leads us from his metapoetic meditation to a poetic meditation of an ontophenomenological and sapiential nature, that is, from his metapoetry to a poetry whose wisdom provides a set of intuitions with a sapiential and philosophical accent. It is our intention to contribute, in this way, to the understanding of the (cognitive and ontological) demand and scope of Rosa’s poetic path, as well as, collaterally, to the debate around topics such as poetic (self-)reference, the ontological status of the poetic text or the philosophy-literature relationship.