Please use this identifier to cite or link to this item:
http://hdl.handle.net/10451/37338| Title: | Acerca de Pindorama de Walter Smetak |
| Other Titles: | About Pindorama, from Walter Smetak |
| Author: | Scarassatti, Marco Antonio Farias |
| Keywords: | Smetak, Walter, 1913.1984 Arte sonora Instrumentos musicais Mitologia Processo criativo Filosofia Teoria da arte Criticismo |
| Issue Date: | Jul-2016 |
| Publisher: | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
| Citation: | In: Gama. - Lisboa, 2013-. - Vol.4 nº8 (jul./dez. 2016), p. 16-24 |
| Abstract: | This article intends to be a study of one of the categories of Walter Smetak’s Sound Sculptures, so-called Collective Instruments. This sets a dialogue with Smetak musical thinking on group improvisation. For him, the musicians involved in improvisation should sound as if they were one instrument. Smetak also thought of improvisation as an intuition development practice as a psychic faculty that would override reason |
| Peer review: | yes |
| URI: | http://hdl.handle.net/10451/37338 |
| Appears in Collections: | FBA-CIEBA - Revista Gama |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| ULFBA_PER_GAMA8_CAPA.jpg | Capa da Revista | 911,91 kB | JPEG |  View/Open |
| ULFBA_G_v4_iss8_p16-24a.pdf | 1,04 MB | Adobe PDF | View/Open |
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