Please use this identifier to cite or link to this item:
http://hdl.handle.net/10451/37339| Title: | El cuerpo herramienta de Tony Orrico |
| Other Titles: | Tony Orrico’s body as a tool |
| Author: | Cid, María de la Luz Feijóo |
| Keywords: | Orrico, Tony, 1979- Desenho Pintura Corpo - Arte Arte da performance Teoria da arte Criticismo |
| Issue Date: | Jul-2016 |
| Publisher: | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
| Citation: | In: Gama. - Lisboa, 2013-. - Vol.4 nº8 (jul./dez. 2016), p. 25-32 |
| Abstract: | In the serie Penwald Drawings, Tony Orrico (1979, Ilinois) uses his body as a measurement tool and coal as pictorial material. In this piece of work the artist experiments with the sensation of double domination and, as a result, he will obtain some drawings which are almost perfect from a mathematical point of view. For Orrico, the performance of the pictorial process is an essential part of his work |
| Peer review: | yes |
| URI: | http://hdl.handle.net/10451/37339 |
| Appears in Collections: | FBA-CIEBA - Revista Gama |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| ULFBA_PER_GAMA8_CAPA.jpg | Capa da Revista | 911,91 kB | JPEG |  View/Open |
| ULFBA_G_v4_iss8_p25-32.pdf | 996,61 kB | Adobe PDF | View/Open |
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