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http://hdl.handle.net/10451/37346| Title: | Imagem-inacabamento no cinema de Andrea Tonacci : investigação sobre a opção de não-montar em dois filmes de Andrea Tonacci |
| Other Titles: | Unfinished-image in Andrea Tonacci cinema : research on the non-edit option in two films of Andrea Tonacci |
| Author: | Alvarenga, Clarisse Maria Castro de |
| Keywords: | Tonacci, Andrea, 1944- Cinema Filmes Arte - Filosofia Teoria da arte Criticismo |
| Issue Date: | Jul-2016 |
| Publisher: | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
| Citation: | In: Gama. - Lisboa, 2013-. - Vol.4 nº8 (jul./dez. 2016), p. 100-108 |
| Abstract: | In this paper I discuss the fact that two of the films of the Brazilian director Andrea Tonacci are displayed to viewers as raw footage. My argument is that these two cases (the unfinished film The Arara, 1980—, and Collection Andrea Tonacci / Meetings in Indigenous America, 1978—) the non-editing option should be seen as a significant gesture of editing |
| Peer review: | yes |
| URI: | http://hdl.handle.net/10451/37346 |
| Appears in Collections: | FBA-CIEBA - Revista Gama |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| ULFBA_PER_GAMA8_CAPA.jpg | 911,91 kB | JPEG |  View/Open | |
| ULFBA_G_v4_iss8_p100-108.pdf | 991,75 kB | Adobe PDF | View/Open |
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