Please use this identifier to cite or link to this item:
http://hdl.handle.net/10451/38713| Title: | La Ribot : corpo cero na escena expandida |
| Author: | Romero Baamonde, Maria Eugenia |
| Keywords: | Ribot, Maria José Arte contemporânea - Espanha Arte da performance Corpo Identidades Nudez Expansões Crítica e interpretação Ensaios |
| Issue Date: | Jan-2016 |
| Publisher: | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes |
| Citation: | IN: :Estúdio. - Lisboa, 2010. - Vol. 7 nº13 (jan./mar. 2016), p. 130-137 |
| Abstract: | The artist La Ribot challenges, with her work, the limits of scenic field while mixing codes from other areas. Moving freely in search of other possible stage performance and other relationship with the public. One of the threads of her work is the presence of her naked body using almost like a blank mold in which she inscribes different identities at his please |
| Peer review: | yes |
| URI: | http://hdl.handle.net/10451/38713 |
| Appears in Collections: | FBA-CIEBA - Revista Estudio |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| ULFBA_E_v7_iss13_capa.jpg | Capa da Revista | 857,86 kB | JPEG |  View/Open |
| ULFBA_E_v7_iss13_p.130-137.pdf | 108,75 kB | Adobe PDF | View/Open |
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